INVISIBODY 2.0 隐形之躯 2.0
Multimedia Installation, Virtual Reality
Lead Artist: Anna Borou Yu 3D Artist: Jiajian Min Year: 2021
Invisibody Series have been featured at 2022 Hermes Creative Awards, 2022 Beijing Media Art Biennale,
"New Youth" The 4th China Academic Experimental Art Education Documentary Exhibition, 2021 Chengdu Biennale, 2021 Asia Digital Art Exhibition
Invisibody 2.0 is an Immersive Theater, a cross media translation of Italian surrealist Giorgio de Chirico’s paintings. The Greek bizarre is deconstructed, with classic architectural spaces distorted into an enigma and labyrinth. White noise, railways, bells and cosmic sounds create a stereo field, echoing the transition from the mechanical age to our information age. Hard becomes soft, gloomy becomes intoxicated, concrete becomes abstract, and the whole space is a metaphor for the turbulent external environment and the feeling of loneliness and self-lost in the epidemic. The body is both material and immaterial, a reflection of emotion and an echo from afar. Through different media such as sound, movement, silhouette, skeleton, expression, the interpretations of the body are unfolded layer by layer, questioning the relationship between the real and the unreal, the memory, mythology and truth. The Invisibody is free to sense and flow, beyond time and space.
“隐形之躯”系列作品荣获2022爱马仕创意大奖白金奖及金奖，展出于2022北京媒体艺术双年展，2022中国计算机图形学大会电子剧场，
2022 “新青年”——第四届学院实验艺术文献展，2021成都双年展智能共振版块，2021亚洲数字艺术展。
隐形之躯2.0为虚拟现实影像作品，是对意大利超现实主义画家基里科作品的解构与重构。从古典希腊化空间向外逐层展开，建筑空间被抽象和扭动，形成一个巨大的数字迷宫。白噪音、铁路、钟声、宇宙声音等烘托出机械时代到信息时代转变的立体声场。坚硬变为柔软，阴郁变为迷醉，具体变为抽象，整个空间隐喻疫情中动荡的外部环境以及孤独和自我迷失感觉。身体既是物质性的，也是非物质性的，是在场的情绪波动，也是来自远方的回声。通过声音、动作、剪影、骨骼、表情等不同媒介，身体的内涵与解读被逐层展开。隐形之躯超越时间和空间的限制，自由感知和流动。
