ORGANS, DREAMS AND CINEMA 器官，梦境与电影
A PLATFORM FOR FILM EXHIBITION IN UAE 阿布扎比电影中心设计
Artists: Jiajian Min, Anna Borou Yu Collaborators: Zhao Xiaoxiao, Cai Yixuan
Cinema Box Competition in Abu Dhabi Editor's Selection Year: 2020
艺术家：于博柔，闵嘉剑 合作艺术家: 赵潇潇，蔡艺璇
阿布扎比电影中心国际建筑设计竞赛，编辑选择奖
In principle the dream is the primordial form of the archi-cinema. —— Bernard Stiegler
Film exhibition is indispensable to the art of cinema. In this project, the exhibitions are not a simple space for film screening. But it is deeply related to our memory, dreams and inner experience. We create a system of eighteen organs of cinemas, using projection, montage, story-telling, theater of the historical now, CG, sound design, immersive environment, archive, trying to reveal the film-making processes and the arouse the deep inner experience between the film and the viewers.
Inspired by Bernard Stiegler’s theory of Organology of Archi-Cinema, this project is trying to explore the relation of cinema and dreams, the consciousness and the unconsciousness. Two main spaces are created for the film center: The organs and the cave, which are connected by the truss structures floating above the cave. The organs are spaces where we use sound, light, theater approaches to reflect the process of film-making from primary, secondary retention to tertiary retention. The cave is a big flexible space which could be used for large film festivals. It contains open air theatre, restaurants and cafe, multi-purpose rooms as well as gala space. It is also a space where the organs are projecting lights, sound and films, creating an interactive relationship between the viewers.
梦是元电影的原始形式。 贝尔纳·斯蒂格勒
电影展映对于电影艺术来说是必不可少的。在这个项目中，展映不仅仅是简单的电影放映空间，它与我们的记忆、梦想和内心体验有着密切的关系。我们创造了一组悬浮器官构成的展览系统，运用投影、蒙太奇、叙事、戏剧、动画、声音设计、沉浸式环境、档案等影像手法，试图展示电影的制作过程，唤起观众内心深处与电影的情感联系。
本作品受贝尔纳·斯蒂格勒的元电影器官学理论的启发，试图探索电影与梦、意识与无意识的关系。为阿布扎比电影中心创造了两个主要空间：器官和洞穴，它们由漂浮在洞穴上方的桁架结构连接。器官是我们使用声音、光、戏剧等不同媒介方法来展现电影制作从第一、第二到第三存留的过程。洞穴是一个灵活的大空间，可用于举办大型电影节等活动。它包含了露天剧院、餐厅和咖啡厅、多功能厅以及庆典空间。它也是器官展厅可以投射灯光、声音和电影的容器，创造出与观众的互动关系。
